646f9e108c Ten years after the end of the war in Vietnam, four ex-Marines decide to return to S.E. Asia to investigate reports of American POWs still being held there. These four include Roger, whose daughter's just been married, the unemployed James, Mark, who's quit his job at an Arizona roadside tavern, and Richard, recently a patient at a mental hospital. In the jungles of S.E. Asia they discover American POWs but also find out about a U.S. Government plot to keep this knowledge a secret. This movie is cheap and ugly to look at and the cast is a hodgepodge of leftovers. There's little of the excitement or suspense one might expect in even a Grade-B "action-war" movie. What's more, the movie's cynical tone about the whole POW question leaves one with an unpleasant feeling after watching the proceedings. Perhaps the only scene of note here is a flashback showing Oliver Tobias being whipped in a POW camp. Unlike virtually every other whipping in the history of the movies, Tobias is shown (from the rear) to be completely naked in this scene, with blood from his back running down his buttocks and legs. This may have been included strictly for "shock" value but it does illustrate the fact that torture and forced nudity are often linked. Dark and downbeat war epic which is a far cry from Antonio Margheriti's frivolous earlier offerings along the line of CODENAME WILDGEESE and TIGER JOE. Here Fabrizio De Angelis is determined to make his film as gritty as he possibly can so there are no happy endings or surprise victories. It's like some unrelenting horror film and, be warned, is pretty grim to watch! Don't get me wrong, though, as the film still offers up lots of mindless action. We get exploding helicopters, shoot-outs, dozens of bad guys being mown down at a time by a single soldier, shacks exploding, violent torture flashbacks, boats and vehicles exploding, chases, grenades, guards being blown from their towers and prison breaks. The case with the action in these films is, if you've seen one you've seen 'em all. The most popular is Margheriti's THE LAST HUNTER, mainly because it was just about the first real Italian gung-ho jungle adventure movie made and many more followed in its wake.<br/><br/>What COBRA MISSION does have is a great cast to recommend it. The four heroes are made up of the ageing Christopher Connelly (who died of cancer a few years later), European hearthrob Oliver Tobias, John Wayne's son Ethan (!) and genre stalwart John Steiner, here playing an American after many years as a Brit in Margheriti's movies. Support comes from the reliable Donald Pleasence in a small role as a priest who doubles as an arms supplier, Margheriti's regular Luciano Pigozzi in a tiny role as one of the parents of the P.O.W.s and former strongman Gordon Mitchell as the tough Colonel Mortimer, surprisingly not playing the bad guy this time around as is usual for him (well, he is bad, kind of, but he's just obeying orders and the script gives him a human character). Finally we have action director Enzo G. Castellari cameoing as a cohort who helps our heroes on their mission.<br/><br/>The film opens with a prison escapee being mown down by enemy soldiers. This same kind of image recurrs throughout the movie giving it a hard edge, and it's a more thoughtful film than the rest. Most of the characters we see are tired, sweaty, drugged up or simply peed off. A shocking flashback shows one of the men being bloodily whipped while tied naked to a tree. Probably the film's most harrowing moment for me was when the Vietcong girl turns around and shoots one of the men in cold blood, at the same time displaying the scars on her chest which are a result of the American napalm. This comes as a real surprise and was totally unexpected on my part, although in retrospect with similar scenes in APOCALYPSE NOW and the like I really should have seen it coming.<br/><br/>Despite offering up plenty of cheesy action for genre lovers, COBRA MISSION is a very downbeat movie so you won't come away with a smile at the end. It may make you think though, which is why I recommend it. A sequel followed shortly afterwards, which ISN'T a surprise to me!
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